您当前位置:网站首页 >> 书籍摘录 >> 室内色彩设计 第三章 室内色彩配色方案 C2 室内的对比色配色法 互补色对比

室内色彩设计 第三章 室内色彩配色方案 C2 室内的对比色配色法 互补色对比

2015-08-18 10:17:49 来源:奇库斯 浏览:58
关键字:对比,互补,配色,室内,方案,色彩,第三章,设计

内容提要:

互补色对比
Complementary color contrast
互比色是位于色相环上的两色,当它们之间的夹角达到180度是就变成互补色。从色彩理论上来说,互补色相混合就呈现中性深灰,也就是说两种互补色叠加在一起就可以得到全色光谱。互补色在视觉和大脑中产生一种完全平衡的状态,即眼睛需要看完整

互补色对比
Complementary color contrast

互比色是位于色相环上的两色,当它们之间的夹角达到180度是就变成互补色。从色彩理论上来说,互补色相混合就呈现中性深灰,也就是说两种互补色叠加在一起就可以得到全色光谱。互补色在视觉和大脑中产生一种完全平衡的状态,即眼睛需要看完整的东西,这种现象叫眼睛的视觉生理平衡。这样一来,两者并置时会加强对方的色感,如蓝橙对比时,橙色会越橙,蓝色会越蓝。
Each color is located in hue ring than the white, when the angle reaches 180 degrees between them becomes the complementary colors. In color theory, complementary hue mixed neutral gray on the show, that is to say, the two complementary colors superimposed together to obtAIn the full color spectrum. Complementary color in the vision and the brAIn to produce a complete balance of the state, that the eyes need to see the full thing, this phenomenon is called the eyes of the visual physiological balance. As a result, they will strengthen their juxtaposition of sense of color, such as Blue Curacao contrast, orange is orange, blue is blue.

互补色对比相对于其他对比,它的效果更强烈、更丰富、更完美、更有刺激,是最强烈的对比。由于互补色之间能形成视觉生理平衡,因此两者之间的关系是既对立又相互补充。但如应用不当,特别是当两者的纯度都很高、面积大小又相仿时,可能会产生过分刺激而引起冲突。在这里介绍一些设计技巧帮助调整色彩关系。
Complementary color contrast with respect to other contrast, its effect is stronger, richer, more perfect, more exciting, it is the strongest contrast. Because of the complementary color to form the visual physiological balance, the relationship between the two is both contradictory and complementary. However, if the application is not properly, especially when the purity of the two are very high, the size of the same size, it may be caused by excessive stimulation and conflict. Here to introduce some design tips to help adjust color relations.

1、以某一色相为基调,提高纯度,占据主导物体,同时将它的互补色降低纯度,居于次要位置。
1, to a color of the tone, improve the purity, the dominant object, while the complementary color to reduce the purity, in a secondary position.

2、将大面积颜色施以低纯度的色彩,可以是一种色彩,也可以是两种互补色相都有,高纯度色占据较小面积,作为点睛之笔。
2, the big area color subjected to low purity of color, can be a color, can also be two complementary hue, high color purity, occupies small area, as a finishing touch.

3、当两色相都比较鲜艳时,以大量的无色彩配入,特别当两互补色都被无彩色勾勒边缘而不直接接触时效果更佳。这种情况会使色相的纯度增高,且有光感.这种手法广泛应用于中世纪的教学,那些镶嵌在铁艺中的彩色玻璃画正是运用了这一技巧。
3, when the colors are bright, to a large number of no color mixing, especially when two complementary colors are no color outline edge and when not in direct contact with a better effect. This will increase the purity of hue, and light perception. This technique widely used in the teaching of the middle ages, those embedded in the iron st
AIned glass pAInting is the use of this technique.

4、使两色中你中有我,我中有你。如,在红色块中加入小面积绿色,而在绿色块中点缀小块红色。这种配色会产生强烈的对比,甚至会眼晕,极富于装饰感。
4, the two of you have me, I have you. For example, in the red block to add a small area of green, and in the green block of small red. This color will produce strong contrast, and even feel dizzy, highly decorative.

互补色对比常见的有三种配对:红—绿,蓝—橙,黄—紫。它们之中,以红绿对比色感最强。由于红、绿色都是在中明度域纯度最强,它们之间的互补对比不受明度对比的干扰。可以纯粹而鲜明;蓝橙对比的冷暖感最强,两者都近乎于两极;黄紫对比相对较弱,强烈的明度反差使它们的明度对比关系强于色相对比关系,反而削弱了色感。
Complementary color contrast common three kinds of p
AIring: red, green, blue, orange, yellow and purple. Among them, the red green color contrast to the strongest sense. The red, green is in the domAIn of the strongest brightness purity, complementary interference contrast between them is not affected by the brightness contrast. Can be pure and bright; blue orange contrast of changes in temperature of the strongest sense, both near to the two poles; blue and contrast is relatively weak, strong brightness contrast the brightness contrast between them is stronger than that of the contrast of hue relationship, but weakened the sense of color.




相关文章
发表评论
网名:
评论:
验证:
共有0人对本文发表评论查看所有评论(仅供表达个人看法,并不表明本站同意其观点或证实其描述)
最近更新
赞助商链接
点击排行